بحث انجليزي عن دهانات الحوائط

بحث انجليزي عن دهانات الحوائط معنى كلمة دهان بالانجليزي اصباغ بالانجليزي معنى كلمة painting بالعربي نطق كلمة paint تلييس بالانجليزي يصبغ بالانجليزي ما معنى كلمة stall معاني ومفردات دهان الطلاء أو الدهان  ترجمة و معنى paints  فنون الدهانات معجون الحوائط

الدهان المائي ترجمة و معنى طلاء بالإنجليزي

Paints في العربية, بالانجليزي Painting ترجمة و معنى كلمة معنى كلمة دهان بالانجليزي

اصباغ بالانجليزي عامل دهان بالانجليزي مرادف دهان هو طلاء صباغة معنى دهان وصلة

كلمة بمعنى دهان معنى كلمة painting بالعربي معنى سوية معاني ومفردات دهان

 اصباغ بالانجليزي دهان بالانجليزي يصبغ بالانجليزي صبغة الشعر بالانجليزي معنى dye

عامل دهان بالانجليزي نطق كلمة paint

The paint is a liquid, liquefiable or mastic composition used to protect, decorate or improve the surface of an object by covering it with a pigmented coating.

use

In the artistic field, painting is the material used by painters and composed of different materials (pigments in powder, binder, resins, ink); it is used according to different pictorial techniques (oil, acrylic, watercolor, pastel, gouache, etc.) for personal expression and the creation of works of art. The term may also refer to the work created with this technique.

Related Articles: Painting and Painting (Fine Art).

Used in interior decoration and for all kinds of objects of everyday life, utility paints are products sold in the "DIY" department, the specific products for artists being sold in the "Fine Arts" department. Since the beginning of the twentieth century, artists have experimented with new ways and tend to break the norms and taboos by introducing in their works DIY materials.

The paint is generally in liquid form and is applied according to its use in one or more layers, with a brush, a roller or by projection. The paintings can also be in pasty form and apply with a knife (a small trowel). In artistic or domestic practice, painting is sometimes applied to the hand (wall painting, contemporary art) but more often to the brush, the roller, the knife and even the broom in some contemporary artists who work flat on very large surfaces.

In order to obtain a solid coating, it is necessary to dry the liquid paints by evaporation of the solvents; this step is generally followed by a crosslinking which improves the physical properties of the coating.

In the industry, powder coatings, applied by electrostatic spraying or dipping, are also used, which are subsequently crosslinked.

In the second work of the building, dry-chain painting, prefabricated industrially, is in the form of a paint system consisting of a dry film complexed with a flexible substrate. It applies to substrates (absorbent or not) thanks to an assembly resin.

Composition

The elements of a painting (or plaster) generally consist of:

• fillers or fillers, these insoluble powders provide, unlike pigments, low opacity and low color (talc, mica, silica, calcium carbonate);

• pigments, these are fine powders whose role is to make opaque, color, garnish the paint (Sienna, yellow ocher, iron oxide, zinc oxide, for example);

• binders or mediums, which bind pigments / grains together and give consistency and transparency (linseed oil, resins, gum arabic, waxes, etc.);

• diluents or solvents, whose role is to make the binder fluid enough to allow easier application of paints (turpentine, water, white spirit, benzene); after application diluents evaporate (water) (oil), they are volatile liquids, and the paint hardens (it is said to dry);

• adjuvants, products that are used in small quantities to reinforce certain properties of paints, such as resistance to fire, fungi, insects ... The best known is the drying agent, whose role is to activate the drying of paints .

By techniques and pictorial processes

• Collage (Pablo Picasso, Georges Braque)

• Sumi-e, Japanese ink painting (sumi)

• Alla prima painting: in one layer and one session

• Splashing: involves projecting the painting remotely on the canvas like dripping or action painting (all-over by Jackson Pollock)

• Brush painting: we put paint on a brush brush, a cloth and we rub it on a support to lose some of the paint, when we paint then we will have an evanescent effect of color.

• The fresco or a fresco: lime paint on a wall

• The monochrome (Yves Klein, Pierre Soulages)

• The greyness and the shades

• Glazing or transparent paint

• Solid color painting when the colored fields are uniform

• Liquid painting (pouring or pouring in English): fluidized painting using medium or water and which allows to have coulure effects

• Sgraffito or painting by scraping or scarification: consists of using an abrasive tool, cutting to take the material, the medium and to expose the lower layers, even the support itself, which can be even attacked , holey.

• Illuminating or miniature (ink on paper or parchment)

•       Calligraphy

• Mixed techniques; when several mediums are mixed on the same medium (acrylic and oil, watercolor and pastel, etc.)

By tools

The painters use to extend the colors on the different supports to paint special tools, industrial or craft, or even simply their fingers and / or their bodies, fabrics or any object that falls to hand.

• Knife painting

• Spray paint or spray paint or paint spray, airbrush

• Stencil and impression painting (Yves Klein)

By support

The paint can be applied on a multitude of supports and materials:

• The mural (fresco, wall art)

• Wood painting (from the Middle Ages to the Renaissance, more rarely today)

• Painting on canvas (usually oil and acrylic)

• Painting on paper, papyrus, cardboard: for aqueous techniques (watercolor, acrylic, gouache) and dry techniques (pastel, colored pencils)

• Glass painting

• Body-painting or body painting, on the skin

• Painting on metal (aluminum, copper, etc.)

• Porcelain painting

• Painting on fabric and silk painting (batik, ukiyo-e)

• Fixed under glass or elected Doric